Jiwoong Yoon
윤지웅Artist

Life as one work

Jiwoong Yoon with David Hockney, 1996
The night I met David Hockney,
I decided to become an artist.
1996

Works

An ongoing archive
2027

Selfless

Selfless is a revisit of the 1996 Subjectless series, developed as a second version under the name New Zen Series. Through modern, simple, minimal, and sometimes abstract forms, the project explores different ways of expressing Buddhist teachings and the wider wisdom of human life.

2026–

AIR²

AIR² is an evolving AI artist identity born from rAWrAW Project and directed by Jiwoong Yoon. Through music and moving images, it reinterprets Buddhist thought and meditation in a contemporary language. Human intuition and artificial intelligence meet in an ongoing exploration of identity, authorship, and life as one artwork.

2022–2026

JustBe

At JustBe Temple Hongdae, art, meditation, community, and everyday life became a shared practice. As CEO and lay sangha leader, Yoon approached the space, relationships, and daily interactions as a living artwork.

2021

NFT ERA

An exploration of digital value and moving images in 2021. Moiré patterns became a medium for questioning what appears real when different visual systems overlap.

2020

15,000th Day of Life

The second anniversary project joined 24 patterns derived from Euljiro photographs with a 15,000-bows performance. A month of bowing culminated in the final 100 bows before an audience on his 15,000th day of life.

2019

Disfiguring Lines

Portraits became adaptable image modules that could be layered and reproduced across different scales. Distorted faces and calligraphic lines explored the spaces between drawing and painting, abstraction and representation.

2019

G's Instagram Show

An exhibition of 108 photographs across three floors connected Instagram with physical space. Childhood images, studio moments, and daily observations reflected on identity, desire, and the Buddhist metaphor of 108 karmas.

2018

Art Bakery

Inspired by the bread in his parents’ long-running bakery, Yoon created a photography and design series. The project brought the practices of a bakery and a gallery together.

2016

Subjectless

An art retreat transformed an exhibition hall into a temporary temple and working studio. Paintings, calligraphic marks, meditation, movement, and Dharma drumming explored the Buddhist idea of selflessness.

2014

A E OO #2

A multimedia Facebook environment brought painting, photography, design, and performance into physical space. Visitors participated through live comments, tags, and shared posts.

2014

Korean National Flag

A series of works reinterpreting the Korean national flag, presented at Zagmachi Space in 2014.

2014

Sewol Show

Sewol Show, presented in Gwanghwamun Square in 2014.

2013

STOP / THINK

A moving billboard carried the words STOP / THINK through Seoul and Berlin. Conversations with passersby invited a pause in the cycle of consumption and an opening for reflection.

2012

G’s Art Party

A DJ set and improvised dance performance for LG Optimus G, on a stage filled with paintings of the letter G. Audience members who performed their own G dance received a painting.

2012

Minimal Abstract

Painting, dance, and DJing explored the same theme in a Hongdae club where Yoon had spent many nights dancing in his twenties.

2012–2014

Platoon Kunsthalle

Two years as curator, artist, and DJ at Platoon Kunsthalle Seoul brought together exhibitions, open studios, street performances, and music. Organizing a cultural space became part of the artistic practice.

2010

Studio: 1995–2010

Yoon relocated his studio into a gallery and worked there throughout the exhibition. A chronological arrangement of earlier works invited visitors to encounter the evolution of his life as a single artwork.

2010–2011

Haein Art Project

As director and curator, Yoon lived at Haeinsa for two years while developing a meeting of contemporary art and Buddhism. The project marked the 1,000th anniversary of the Tripitaka Koreana through exhibitions and performances.

2007

10,000th Day Celebration

To mark his 10,000th day of life, Yoon turned his home into a 24-hour installation, gathered his previous works into portfolio books, and sent them with letters of gratitude. The occasion began rAWrAW projects.

2007

rAWrAW gallery in NYC

A mobile gallery operated for three months in New York. Beginning outside Chelsea galleries, the project moved into streets, parks, and public spaces where art was less often encountered.

2005–2007

Painting as Sculpture

Fascinated by the plastic materiality of acrylic paint, Yoon explored the boundary between painting and sculpture. Paint could exist over, under, between, or away from the canvas.

2001

Florence Street Painting

After losing his bank card during an exchange semester in Florence, Yoon began painting near the Duomo to cover his living expenses. Oil paintings on canvas questioned the darker sides of Renaissance imagery and religion.

2001–2005

Paintings

A selection of paintings made between 2001 and 2005.

2000

Metamorphosisohpromatem

A 90-minute solo performance and painting exhibition at Theatre Zero in Hongdae. The transformation of a caterpillar into a butterfly became a metaphor for breaking inherited artistic frames.

1999–2001

Freshman-Sophomore

Works from the first two years of college, recording an early period of artistic study and experimentation.

1996

Meeting Hockney

A visit by David Hockney to his school in Australia became a turning point. That evening, looking through Hockney’s books, Yoon decided to become an artist.

1996–1999

High School

Drawing became a way of finding presence while studying abroad. These early works trace his school years in Australia and later at Berkshire School in Massachusetts.

Bio

Portrait of Jiwoong Yoon
Born 1979, Seoul
Lives and works in Seoul, Korea

Jiwoong Yoon is a contemporary artist whose practice centers on painting while extending into spatial interventions, meditation-based actions, movement, and long-term process-oriented projects. Rather than settling into a single medium or formal language, Yoon has consistently explored how art operates within specific places, situations, and lived contexts. His major projects have ranged from mobile and site-responsive exhibitions in urban environments to contemplative practices situated in natural and spiritual settings, as well as ongoing community-based and durational works. Across these projects, the artwork is not confined to an object or exhibition format, but unfolds through presence, action, and time.

At the core of Yoon’s practice is the philosophy of treating an entire life as a work in progress. Painting, drawing, meditation, writing, spatial composition, and everyday discipline exist on the same continuum, forming a sustained artistic inquiry rather than discrete outcomes. For Yoon, art is not merely something to be viewed, but a mode of perception and a method of aligning life itself. His projects resist completion, favoring continuity over resolution, and invite viewers to encounter art as an active condition—one that is shaped by participation, awareness, and the passage of time. Yoon’s work remains open, evolving, and inseparable from the life that generates it.